Released: 2026 Genre: Sludge, Noise rock Sounds Like: Fudge Tunnel, Cavity, Neurosis Homeland: Englund, UK What makes Choosing To Die elite and sit atop OHMs Peak? Kulk is back with an impressive new album that delivers powerful feedback-driven sludge infused with a hint of Noise rock chaos. The vocals are gritty and perfectly complement the music. Though Kulk is a duo, they give the impression of a foursome. Their production is massive yet retains a raw, DIY feel. Track Listing: An Endless Knife 2:35 We're Worried About You 1:37 Being Forgotten 3:34 Collapse 2:50 For Blood 3:42 To Take Life 2:19 The Saddest Holiday 3:15 Ache 5:15 Our Last Walk 1:08 Dive deeper into Choosing To Die with our Q&A with Kulk. OHMs Peak: As a duo, your sound is massive, intense, and chaotic. Can you give us a glimpse into your songwriting process and how this gem came together? Kulk: Under lots of stress! We booked the studio before we had written anything; as the session began getting closer, we worked more and more frantically to get it done. I think this ended up contributing to the urgency we wanted the record to have. OHMs Peak: We hear hints of ’90s sludge, with influences reminiscent of Fudge Tunnel and early Cavity, while still maintaining your own distinct style. What influences does each member bring to the table? Kulk: We are both students in the school of the Melvins! There's no single greater influence on us than the Melvins aha OHMs Peak: The track “The Saddest Holiday” absolutely floored us. We love the contrast between both vocalists and how it adds another dimension to the song. Would you consider exploring more of this vocal interplay on future releases? Kulk: It would really depend on what record we were making next. I think what makes ' The Saddest Holiday' work is that it sits late in the record, and by the time you reach it, you've been devastated by noise for a while. Having Jade's vocals at the end was a way of still surprising people and getting them to let their guard down for the final blow. OHMs Peak: If you could tour with any band outside the doom/sludge genre, who would it be, and why do you think they would complement Kulk’s sound? Kulk: I think they probably come under noise rock, so I'll say Ken Mode. Their aggression and urgency on 'Loved' was the blueprint for the feeling we wanted from 'Choosing To Die' OHMs Peak: The album artwork has an ominous atmosphere that really caught our attention. Is there any particular meaning behind the photograph? Also, who created the Kulk band logo? We love it! Kulk: So, Jade took the photo on the cover, and I (Thom) drew our logo. The story behind the cover is pretty bleak. A day after the death of our friend, whom the record largely centres around, we took ourselves off to the Peak District to get away from everything and do some hiking. In the end, it was an awful time. It rained the whole time, and we couldn't stop sobbing (it's also the namesake for the saddest holiday). We stumbled on this rock structure, and Jade took a picture. When we got back, we forgot about the roll of film and 3 years later remembered when we were stuck for what would be the record cover. OHMs Peak: Kulk is stranded on an island with only a solar powered turntable and majestic powered solar Bluetooth speakers. The band collectively can only choose one album. Which album do you agree to? Kulk: It's got to be 'A Senile Animal' by The Melvins; we collectively listen to this record more than any other! Kulk are: Jade Ashleigh Squires Thom Longdin Follow Kulk: Instagram / Facebook Grab some Kulk Merch Music (vinyl, CDs, digital, shirts, etc.)

Released: 2026 Genre: Noise rock, Punk Sounds Like: Chat Pile, Barkmarket, McClusky Homeland: UK What makes Slow Burn Snuff Films elite and sit atop OHMs Peak? Drearleader returns with a powerful fusion of dark noise rock and punk heaviness, propelled by intense breakdowns and constant change ups. Duncan's vocals perfectly complement the band, merging classic punk angst with dark and powerful tones. If you're looking for a unique punk album with heavy and dark undertones, you must check out Drearleader. This will add a wealth of variety to your collection. Track Listing: PANIC 6:08 Carnivorous Dreams 10:37 SMRT 4:35 H&MRC 5:38 WD 1-39 4:00 Meander 6:29 Meatgrinder 8:09 one less place to twist the knife 2:24 Death by Eczema 7:59 Family Tree 8:21 Dive deeper into Death Songs & Lullabies with our Q&A with Duncan Hacker, vocalist from Drearleader. OHMs Peak: You seem to operate outside any traditional heavy music style. Could you give us a glimpse into your creative process and how the film theme came about? Duncan: It tends to be one of us will write anywhere between 25-75% of a song and then the rest will come in and add what they think is missing. That’s usually anywhere between 75-25% in our experience. Then we like to share various demo versions back and fourth with different ideas before letting those sit in a gdrive folder for a good 2 or 3 years, doing nothing, until the time is right to play it in a room together. The film theme came about when I (Duncan) was looking through the lyrics on the album for a suitable album title and I took that from what is essentially the last line of the last song. Seemed fitting as it’s definitely not a concept album, each song is its own stand alone piece of work, or film, if you will. But you could argue each one is about the death of something; be that a loved one, a relationship, a pet, a portion of yourself or generational hope. You know, like all great comedy. OHMs Peak: Each member of Drearleader clearly brings something distinct to the table between the angular riffs, the rhythmic volatility, the vocal intensity, and overall atmosphere. What influences does each of you draw from and can we get a glimpse of your prior projects/bands? Duncan: Three of us were in a band called Clone Radio about 10 years ago that was a lot more straight forward punk rock. We were young and that was a project born out of a love of music and a desire to be in a band because we thought it was cool (and it is, don’t get me wrong). Drearleader on the other hand is a project born out of necessity to cathartically work through traumas, and a lack of funds to afford regularly seeing a therapist. Lyrically I’m as influenced by comedians like Stewart Lee or George Carlin as I am by artists like Chat Pile or Viagra Boys. The vocals themselves are always secondary to the lyrics for me, but in terms of style I’ve always been drawn to those with a distinct soulful, weathered depth. I wish I could sing like Chris Cornell or shout like Corey Taylor but I’m not that good, so we settled on a poor man’s Jim Morrison. Matt’s guitar work is greatly influenced by effects-heavy players - like Mike Einziger of Incubus, Tom Morello, and Wes Borland - using pedals to add contrast to each section of the song. As well as wonky fuzzy riffs from Queens of the Stone Age and Mastodon among many others. Jake’s always had one foot in bass and one in guitar, but when he took those ridiculous shoes off turns out he could actually play them. Luckily we needed a rhythm guitarist to make the big riffs big big riffs, so he ended up being a bit of a hybrid between the two. He met Sam back at uni and immediately bonded over similar music tastes (QOTSA being one of many) which led to them playing in a number of bands together (some better forgotten). Drearleader is the first project that draws more heavily from their Nu metal “phase”, so that’s been fun. Sam would dispute it being a phase though. It’s said your core music tastes never really change past your mid teens and you need look no further for proof. While he’s been involved in bands ranging from grunge to blues, hardcore to classic rock, the angular weirdness of Mudvayne’s LD50 and raw intensity of Slipknot’s self titled held their allure and with us he gets to let that loose. OHMs Peak: It’s nearly impossible to choose standout tracks from this album, but we must say ‘Carnivorous Dreams’ is a 10 minute plus wild ride and interestingly placed in the second spot. The build up is sensational and we feel suffocation in these “four walls” but yet a majestic openness unveils. Can you take us behind the creation of this track and the driving meaning behind it. Duncan: They say that if you put a frog in boiling water it will jump out, but if you put it in cold water and slowly bring it up to boil, the frog will just cook. We’re all pretty cooked. Life has a way of happening around you that means you often don’t realise you’re in over your head until it’s too late. This song is a reflection on that, through both the lyrics and the music. The slow builds, the use of repetition, the relentless crescendo’s and way it wilts away at the end. It’s about the inevitable futility of pipe dreams and aspirations, but at the same time, the growth that can come from failure. Carbon lives, dies, returns to the earth and provides nutrients for the life that sprouts after it. In many ways, failure is a necessary step on the way to achieving something great. At least that’s what we keep telling ourselves. We put it second on the album because, with a run time of over an hour, we knew pacing was going to be important. We hoped putting it there would be a way of letting the listener know they need to strap in and buckle up for the long hall. If it was a concept album, which it’s not, but if it was; track one is the opening scene where you first get introduced to the monster and we spend most of our CGI budget on showing you some gruesome gorey deaths. Then this song is the rest of act one where it’s just introducing the characters that are all obviously going to die and nothing actually happens for ages. OHMs Peak: If you could tour with any band outside of your genre, who would be the perfect complement to your sound? Duncan: Ed Sheeran. We hear some support slots opened up recently. All jokes aside though: Bo Burnham, Jim E Brown, Getdown Services, Sensei Sludge. Anyone who’s blatantly tried 2 or more different types of antidepressants to little or no success. OHMs Peak: The album artwork perfectly matches the mood of cinematic simplicity yet the album is so complex and textured. Who created the artwork, and is there a conceptual link between the imagery and the themes explored on Slow Burn Snuff Films? Duncan: Once we had the album title settled on that helped focus ideas for the artwork. We knew we wanted to feature one of the crappy fan heaters that leave you cold the second you turn them off, kinda like this album, whilst also being expensive to operate and somewhat of a fire hazard. Also like this album. That fulfilled the “slow burn” part of things, and so burnt/damaged film reel seemed a no-brainer to complete the imagery. What you then do is take those ideas and put them in the hands of our bassist Jake, who’s a wizard at photoshop, animation, video editing and just generally turning concepts into reality. Pro tip to any struggling bands out there: get yourself a Jake. Also, get a guitarist with an encyclopaedic knowledge of music theory and guitar pedals. Also get a drummer who builds a studio in his back garden to produce, record, mix and master everything you do. For free. Really helps. OHMs Peak: Drearleader is stranded on an island with only a solar‑powered turntable and majestic solar‑powered Bluetooth speakers. The band collectively can only choose one album. Which album do you agree to? Duncan: Corey Feldman - Angelic 2 the Core Mercifully though, that album has never, will never, and should never be pressed onto vinyl, so in reality we’d take Queens of the Stone Age - Songs for the Deaf. Drearleader are: Duncan Hacker - lyrics, vocals Sam Blighe - drums, guitar, piano, vocals Matt Keenan - guitar, synthesizer, flute, vocals Jake Twyman - bass guitar, acoustic guitar Follow Drearleader: Instagram / Facebook Grab some Drearleader Merch Music (vinyl, CDs, digital, shirts, etc.)

Released: 2026 Genre: Heavy psych rock Sounds Like: Uncle Acid & the Deadbeats, Domkraft, Ministry Homeland: UK What makes Death Songs & Lullabies elite and sit atop OHMs Peak? Evil Blizzard has been a staple in our lineup since their debut album. They are among the most original metal bands today. Blending doom, stoner, and industrial elements, their intense music creates a genre all their own. Death Songs & Lullabies might be their most impressive release yet. They have truly surpassed themselves with this one. The production is flawless. This album features rich layers without being overly produced. This is a must purchase on vinyl.. Track Listing: Off With Their Heads 4:35 Down Down Down 3:40 Black Square 8:15 Wake The Dead In Bedlam 3:57 Questions // Answers 8:49 Four Letter Words 1:10 Hater Creator 4:43 Warpaint 6:37 Dive deeper into Death Songs & Lullabies with our Q&A with Evil Blizzard. OHMs Peak: We’ve been fans of Evil Blizzard since your first album in 2018, and it’s been amazing to follow the band’s evolution over the past eight years. Death Songs & Lullabies feels like another significant step forward, exploring new atmospheres while blending progressive doom, stoner rock, industrial elements, and heavy psych. It’s difficult to place Evil Blizzard into any traditional metal category; it feels like you’ve created a genre of your own. Could you give us a glimpse into your creative process and what went into bringing this album to life? Evil Blizzard: It's been a journey from our beginnings as a two piece with Side and Prowler playing a stripped down version of songs from our band Superthrill Temple. Originally it was just an experiment to see if it worked with heavy bass, drums and voice. It did and Evil Blizzard were formed Jump forward to the latest album and what we wanted out of it as a band. Our previous releases were more written around riffs and somewhat developed in the studio but for this album we actually decided to bring our influences to the table and create something honouring them but with the twist of Blizzard. The band is made up of people who are all into different music and equally the same and your list is pretty much it. Normally when writing songs it's comes out of a jam , a riff, a drum beat or even unsconscious or conscious theft! With these songs we wanted to add more elements of electronic music (Massive Attack) and tribal feels (Adam and The Ants, Killing Joke, Janes Addiction and Southern Death Cult) and blend them with our trademark bass psychedelic hypnotic loops. For the most we feel we did that and only allowed ourselves to have a thrash out on one track. The Discharge inspired Four Letter Words. We believe this album is our most adventurous and complete set of songs. Taking the listener on a journey of sound and moods that even though not chosen for the Mercury Music Award we feel stands alone in it's genre of Evil Blizzard. OHMs Peak: As musicians, what influences does each band member bring to the table? The craftsmanship throughout this album is flawless, how do those individual influences come together to create your sound? Evil Blizzard: As I have already said the members have their influences and we are not shy to try to bring those somewhere into the mix. Filthy is a mad Discharge fan but equally happy listening to Abba or classical music Myself (Side) has always been into prog and longer pieces. Be that old school or new prog with Filthy trying to eliminate my love of early Genesis, VDGG or newer stuff like Porcupine Tree. Prowler is the Sabbath, Priest, NWOBHM head, Stomper has a wide pallet from Ska to Dance and Rap to Prog, Blizzpig is a lover of The Clash, Stone Roses and newer bands such as Idles and Fontains DC and last but not least Fleshcrawl who loves his Space Rock and his hometown heroes Joy Division. Himself being in Hawkwind for many years he has a good understanding of the sounds that Brainstorm the crowd. Tbh we all like a huge varied amount of music old and new. Mix this in the cauldron of Doom, and you get the madness of Blizzard. A band that is as happy playing to ravers as punks and rockers. OHMs Peak: It’s nearly impossible to choose standout tracks from this album, but for the sake of the interview, we found ourselves especially drawn to Black Square and Questions // Answers. Both songs showcase Evil Blizzard’s signature sound while taking us on an expansive journey through psychedelic textures, heavy riffs, and unexpected twists. They have a way of pulling the listener deeper into your world with each listen. Can you take us behind the creation of these two magnificent tracks and tell us how they came together? Evil Blizzard: These two songs being the longest were developed over time. Black Square was formed out of a riff by Filthy and the lyrics I had lying around. The idea of people seeing the squares on walls and wondering what it meant. A sort of sci fi idea that throws back to the classic films of the 50s and 60s. For myself it is probably my favourite song of ours. We wanted a tribal loop that was hypnotic like being transfixed by staring at the squares and a repetition of the loop. The middle to ending was a way to break the trance and give the listener a little break before going back into the song until it's crescendo outro.Whst does it mean? Who knows but I'm sure someone knows. For Q/A this was developed out of a Prowler riff. Again a hypnotic piece. It sort of wrote itself and was a quick song to develop. The trance like feel makes this song I feel very seductive and vocally I wanted the style of Metal Box with it's repetitive lyric. The heavy section is pure Janes Addiction and even though it is a longer track my prog mind thinks it could have easily been longer with huge strings and more chants, but that's probably wishful thinking. In good old Blizz tradition it has become the song with the quiet Massive Attack whisper from Filthy and the PIL like refrains. A song that needs to be heard loud through a big PA in an arena near you! OHMs Peak: If you could tour with any band outside of your genre, who would you choose as the perfect complement to your sound? Evil Blizzard: We have been lucky to have supported some of our influences such as Hawkwind, Killing Joke, The Ruts and PIL. Even playing some shows with Embrace ( a fantastic set of guys by the way) who's audience either loved us or hated us in equal measure. Members of the said band donning masks to join us on more than one occasion. If we could support a band not in our genre I would think different members would have different views but if up to me it would be some one like Sigor Ros. Surely their fans would find that most entertaining?! OHMs Peak: The album artwork is in classic Evil Blizzard form. Who is the artist behind the artwork, and is there a connection between the imagery and the music or themes of Death Songs & Lullabies? Evil Blizzard: Usually the art work is created by Filthy himself. A few album covers we have been honoured to use Mothmeister's work. This latest cover which is the 2 heads of a doll seem to sum up the two sides of the music. It is a 3 headed doll, but we choose the two faces that we felt made the impact. The photo taken by myself from an old doll gifted my a friend of the band. It just felt like a powerful and iconic image and a change from the previous few. OHMs Peak: Evil Blizzard is stranded on an island with only a solar powered turntable and majestic powered solar blue tooth speakers. The band collectively can only choose one album. Which album to you agree to? Evil Blizzard: I am answering these on my own and I doubt we wound ever agree on the one album that we could all sit and enjoy in equal measure. If it was up to Filthy it would be something unlistenable. So for a band we all like and would enjoy dancing around a fire sunburnt. I'll just say "Never Mind The Bollocks". I could be right or I could be wrong on that, but you know I don't care. Follow Evil Blizzard: Instagram / Facebook Grab some Evil Blizzard Merch Music (vinyl, CDs, digital, shirts, etc.)

A fluid ranking of this year's best heavy albums enabled by editors, fan feedback and sheer musical prowess. OHMs Top 10 Elite A fluid ranking of this year's best heavy albums enabled by editors, fan feedback and sheer musical prowess. #1 Glowsun NOVÆ Sludge #2 Great Falls The Bite That Grows up Sludge, Hardcore #3 tankerlow Slagroom Math rock, Punk, Noise rock #4 Gutward I Doom #5 Peacepipe Emarald Flood Sludge #6 The Barbarians of California Megatons Hardcore #7 The Machine Another Sun Stoner rock #8 Upper Wilds Mercury Hard rock, Stoner rock #9 Firebreather Blood That I Spill Turns To Fire Sludge #10 Lie Down With Dogs BEDTIMEMAGIC Hardcore, Noise rock Black metal (1) 1 post Black Metal (6) 6 posts Death Metal (3) 3 posts Doom (37) 37 posts Experimental (2) 2 posts Garage Rock (5) 5 posts Grunge (3) 3 posts Hard Rock (16) 16 posts Hardcore (19) 19 posts Heavy Metal (1) 1 post Heavy Rock (19) 19 posts Math Rock (12) 12 posts Metal (11) 11 posts metalcore (1) 1 post Noise rock (8) 8 posts Noise Rock (5) 5 posts Post Hardcore (1) 1 post Post Metal (22) 22 posts Post Rock (4) 4 posts Power Metal (1) 1 post Progressive Metal (7) 7 posts Progressive Rock (8) 8 posts Psychedelic rock (34) 34 posts Punk (22) 22 posts Shoegaze (2) 2 posts Sludge (36) 36 posts Space Rock (6) 6 posts Stoner Rock (70) 70 posts

Rotation11.com is committed to expanding your heavy rock and metal music collection by introducing you to bands who fly under the radar and more importantly expose talent that would otherwise go unnoticed. Embark on a journey to explore the elite in heavy music. Covering Doom, Stoner, Psychedelic and all heavy sub-genres. Our goal is to bring fourth the heavy albums that hit majestic heights. How does an album reach OHM's Peak? Our Rigorous Screening Process (RSP) searches through vast landscapes to bring you the finest in elite heavy music. We do the work, you enjoy the majestic sonic vista. Contact us via email at info@ohmspeak.com or message us on Social . About OHM's Peak Black metal (1) 1 post Black Metal (6) 6 posts Death Metal (3) 3 posts Doom (37) 37 posts Experimental (2) 2 posts Garage Rock (5) 5 posts Grunge (3) 3 posts Hard Rock (16) 16 posts Hardcore (19) 19 posts Heavy Metal (1) 1 post Heavy Rock (19) 19 posts Math Rock (12) 12 posts Metal (11) 11 posts metalcore (1) 1 post Noise rock (8) 8 posts Noise Rock (5) 5 posts Post Hardcore (1) 1 post Post Metal (22) 22 posts Post Rock (4) 4 posts Power Metal (1) 1 post Progressive Metal (7) 7 posts Progressive Rock (8) 8 posts Psychedelic rock (34) 34 posts Punk (22) 22 posts Shoegaze (2) 2 posts Sludge (36) 36 posts Space Rock (6) 6 posts Stoner Rock (70) 70 posts

OHMs Peak brings you artists and their work in the rock music community. See inspiring album covers and posters in heavy metal, stoner rock, doom, etc. OHMmage to the Artist Artist: Cauê Piloto (Brazil) Inspiration: Bruegel, Hieronymus Bosch, John Martin, Turner, Beksinski Artist: Nicolas Fantoni (Brazil) Inspiration: SYoshitaka Amano, Yoji Shinkawa, Ayami Kojima Artist: Timon Kokott Art Work (Germany) Inspiration: Dan Seagrave, René Magritte, Caspar David Friendrich and H.R. Giger Artist: Soares Illustration & Design (Portugal) Inspiration: Salvador Dali, William Morris, Wes Wilson and Ken Taylor Artist: Bloodyspirit (France) Inspiration: GODMACHINE, Defame and Mark Riddick AlexEckmanLawn (USA) Inspiration: Dave Mckean, Katsuhiro Otomo and Moebius Darren Grealish (USA) Inspir ation: Andy Warhol and Marc Rude Nouvo Creative (United Kingdom) Inspiration: Frances Macdonald MacNa ir and Alphonse Mucha Threadbare Artwork (Belgium) Inspiration: Sarah Moon an d Kyle Cooper Alexander Hettel Artwork (Germany) Inspiration: Salvador Dali, H.R. Giger and John Dyer Baizley Jesse DeNobrega Inspiration: Brian Chippendale, used CD stores, Yoko Ono, Love Love Hill Lex Percepied (Buenos Aires, Argentina) Inspiration: Dali, Drugs, Psilocybe, Spacerock Mihai Manescu Illustrations Inspiration: Al. Durer, H.R. Giger, Zbigniew M. Bielak, Ken Taylor Ghost Ghost Teeth (California) Inspiration: My daughter Missfelidae Illustration (Linz, Austria) Inspiration: Jean Giraud Moebius, Caw Cooper and Moki Mioke Nikita Kaun (Russia) ZONUMENT - Artworks (United Kingdom) Inspiration: 2000AD Artists, John Hicklenton and Simon Bisley Jo Riou (France) Inspira tion: Art Nouveau, Heavy metal artists from 70's, 80's Miodeus (Poland) Inspiration: Old horror and sci-fi movie posters Khoa Le (Vietnam) Inspiration: Myself Irrwisch Art Design (Austria) Inspira tion: LP cover artworks from Dad Vasco Duarte (Portugal) Inspiration: Victo Ngai, Moebius, Sergi Brosa, Alphonse Much a Roberto Toderico (Italy) Inspira tion: Simon Bisley, Roger Dean, Gustave Dore Burning Moon (Belgium) Inspiration: Zoé and Nicolas SkullCult Inspiration: HR Giger, Aubrey Beard sley, Albrecht Dürer Jared Nichols (US) Inspiration: My Alexander Calder, David Gilmour, Frank Zappa Eliran Kantor (Berlin, Germany) Inspiration: John Kricfalusi, Terry Gilliam Antoine Defarges (France) Inspiration: Alphonse Mucha Chris Panatier (USA) Inspiration: Jeremy Geddes, Mucha, John Baizley Marie Bergeron (Montreal, Canada) Inspiratio n: Sam Spratt, Olly Moss, Erik Jones, Kim Jung Gi Barbara Ana Gomez (London) Inspiration: Alphonse Mucha, Yuko Shimizu, Paul X. Johnson Distorted Designs (Berlin,Germany) Inspiration: Pierre-Alain D. and Nekr Merrilee Challiss (Birmingham, Alabama) Inspiration: Gustav Klimt, African & Aboriginal art Sgraffito Art Illustrations (Iceland) Inspiration: Early 20th Century Illustration Dominic Sohor (Bolton, UK) Inspiration: Tony Hart Dale Simpson (England) Inspiration: Rick Griffin Art is the gateway to see and feel what a band represents. When seeking out artists, what draws you in, the album cover? Well, there’s no better feeling than discovering that heavy gem with terrific artistry and music to match. See our favorite artists and their work here. Artist: Eeviac (Brazil) Inspiration: Storm Thorgerson, Winston Smith, Frank Kozik Black metal (1) 1 post Black Metal (6) 6 posts Death Metal (3) 3 posts Doom (37) 37 posts Experimental (2) 2 posts Garage Rock (5) 5 posts Grunge (3) 3 posts Hard Rock (16) 16 posts Hardcore (19) 19 posts Heavy Metal (1) 1 post Heavy Rock (19) 19 posts Math Rock (12) 12 posts Metal (11) 11 posts metalcore (1) 1 post Noise rock (8) 8 posts Noise Rock (5) 5 posts Post Hardcore (1) 1 post Post Metal (22) 22 posts Post Rock (4) 4 posts Power Metal (1) 1 post Progressive Metal (7) 7 posts Progressive Rock (8) 8 posts Psychedelic rock (34) 34 posts Punk (22) 22 posts Shoegaze (2) 2 posts Sludge (36) 36 posts Space Rock (6) 6 posts Stoner Rock (70) 70 posts